One of the most valuable features of the book is the highly interesting historical data and anecdotes that are frequently introduced to enliven the text; another is the careful sorting out of controversies surrounding false localities and misidentifications, with the aim of getting matters straight once and for all.
Examples of the latter are the establishment of the exact place where beryllonite was found in Stoneham, the inexact chemical analyses of minerals in the nepheline-syenite boulders of the Litchfield locality, doubtful or unconfirmed corundum sources and "the Andover mystery," or Where did the spodumene reported from here really come from? All these details suggest that King has spent a great deal of time reading the literature that bears upon Maine's minerals, but even so, one is not really prepared to expect the massive, and very accurate, page list of references.
This list by itself is one of the real gems of the book -- the place where future writers on Maine's minerals can turn to find conveniently assembled all the keys to their own research. As to the work itself, the authors make clear that the subtitle, Descriptive Mineralogy, means just that -- the book makes no attempt to instruct readers in the fundamentals of mineralogical science, leaving that task to the textbooks already available.
The entries, arranged alphabetically by species in most instances, contain no physical property data but do include the accepted chemical formula s. In a few instances, chemical compositions are given in some detail, especially in connection with distinctions among varieties and species within groups. The largest foray into chemistry appears in the discussion of amphibole species pp. The rather over-detailed discussion was written "specifically for geologists who have chemical analyses of Maine amphiboles" and can be glossed over by the vast majority of readers without harm to their knowledge of Maine minerals.
The book begins with the title page announcing that this is Mineralogy of Maine, volume 1. Other volumes will follow, I am told by King, who expects volume 2, History of Mining, Gems, and Technical Papers, to appear in the fall of After the table of contents appears a dedication, with two portraits, to Richard Philip Hauck b. I applaud the dedication but strongly suggest that in future volumes of this series the authors receive equal recognition via portraiture and biographical sketches.
Surely they deserve as much recognition as the dedicatee in this instance! Next appear the introduction, acknowledgments, and, surprisingly, an essay entitled "The Value and Care of Collector-Quality Mineral Specimens. Another section, initiating the text proper, explains the rationale used in presenting the information that follows, giving appropriate examples that draw attention to the special features of typography employed by the authors and designers to set off species, towns, and localities.
The design is excellent, resulting in a text that is visually pleasing and easy to scan. The alphabetical arrangement largely prevails throughout the text with a few exceptions, one being the feldspars, which are not all distributed according to species.
Readers must also be prepared to look up individual species of tourmaline e. However, all entries are carefully cross-indexed so that one is led quickly to the pertinent entry. Certain entries are given a question mark because all reported specimens are said to be doubtful, as explained in some detail under the name.
Others, set in lowercase type, are cross-referenced. She enjoyed a career of 60 years as an illustrator who most definitely made the world more beautiful. Barbara Cooney also lived in a home by the sea—one built by her son on the coast of Maine. We can discuss with children both the goals and challenges that older adults might have, and also the fact that despite changing bodies people of all ages are really the same in so many ways.
Seize the chance to take note of just what you value in the older people you love, and share that legacy with your children. But also consider sharing it with them. Recognized as a Sigurd F. Olsen Nature Writing award recommended title. A Michigan Notable Book. Stretch to the Sun by Carrie Pearson. Brand new! For over years, this giant coast redwood has survived enormous natural challenges but its biggest adversaries—and saviors—were people.
McGinty and his dog Sophie love checking in on the monarch caterpillars and butterflies on their walks. But one day Mr. McGinty they find all the milkweed in town has been mowed down! Can Mr. McGinty come up with a plan to save the monarchs? Lyrical text introduces children to ten endangered animals: river otters, Peregrine falcons, yellow mud turtles and more.
About the Noah Cotsen Library of Yiddish Children's Literature
Read more at Good Reads with Ronna. As a teenager, I was a huge Beatles fan. And for me, when I was 64, the course of my life changed. But with our children married and my retirement approaching, my husband encouraged me to write a book—a book filled with picture book recommendations, craft projects, and cooking activities to help parents reconnect with their kids.
The process of writing Show Me How! But the process of self-publishing was not so easy. I had to figure out how to get the book out into the world. Being timid, it was hard for me to walk into local bookstores and libraries to see if they would carry it. A few months after the book was published, I went to Chicago to visit my son. Because that leap of faith gave my self-confidence a huge boost. If I could jump out of a plane, I probably could do just about anything!
Returning home, I continued to search for ways to promote my book. I began blogging about picture books. I discovered that Susanna Leonard Hill reviewed picture books every Friday. Linking up with Perfect Picture Book Friday opened the door to the kidlit community—many of them were pursuing the dream of becoming published picture book authors. And I soon realized that was my dream as well. I joined critique groups. I took several online picture book writing classes.
And I wrote and revised and wrote and revised. By , I was getting positive feedback from agents who had received my manuscripts.
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Where did I find those agents? In addition, I participated in Pitmad, one of the many Twitter pitch challenges where editors and agents lurk about, reading pitches and favoriting the ones they would like to see. And lastly, I sent a random submission to an agent who had just signed an acquaintance of mine because I fell in love with the about page of her agency website. The next year was a quiet one with editors passing on all of my manuscripts. I began to doubt myself. I reached out to a critique buddy who was already published.
She assured me that this often happens. And then…boom…boom…boom. So, I kept on writing and revising and my agent kept on submitting and at the end of …boom…boom…boom. I sold three more books. And another in And as the calendar page flips to , my writing journey will be taking me around the world. I am jumping in again with both feet and my whole heart—but NOT jumping out of the plane, I hope! For me, there are several key factors that contribute to turning your dream of becoming a published picture book author into a reality. She shelved them at the library during her college years.
She read them to her students when she taught kindergarten. And she writes them. Vivian lives in the quaint New England village of Amherst, New Hampshire where the old stone library is her favorite hangout and her young grandson is her favorite Monopoly partner. Late Bloomers are guest blog posts sharing thoughts and insights from individuals who have launched notable creative efforts in the arts in their Third Age.
Thank you Vivian! Back in my careless and sometimes self-absorbed childhood and young womanhood, it never occurred to me that one day I would be writing short poetry—haiku and senryu — like my mother, Sydell Rosenberg. I did dabble a little, but eventually indifference won out and I stopped. I loved words, reading and the arts, but I lacked an ability to mine those small moments. Syd had this gift, and she avidly cultivated it. No one is more surprised than I. And Syd, wherever she is, must be wide-eyed with surprise. I hope she is pleased with my efforts to honor her and preserve her literary legacy.
My life has been enriched in unexpected ways. Syd was a New York City teacher and published writer and poet.
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Mom studied and wrote haiku for decades. She also wrote and published other poetry, short stories, word puzzles and literary. Even in my disinterest years ago, I and others who loved mom knew how much her writing meant to her. And in retrospect, it turned out to be a call for action. We would find a way to realize her dream. Over time, it dawned on me that I would have to do this. I was terrified to the point of paralysis. The grief that gripped me over our loss compounded my fear and lack of self-confidence. It became my enemy.
The ups and downs of daily life inevitably got in the way — finding care for our dad Sam, who suffered from dementia; closing up their apartment, starting a new job as a healthcare public relations executive, moving, etc. As the years flowed by, the knowledge that time might be running out weighed on me. It became its own burden, to be honest. Around , I finally began to organize, in my own haphazard way.
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- Yiddish Children's Literature.
I debated self-publishing versus a traditional publisher and decided to shoot for the latter. Of course, I received no feedback at all or rejections. Some of the rejections were kind, even complimentary. I began to write my own short poetry. I am an eternal beginner, which is just fine. This rarely happens. At some point, you have to take the first steps, come what may. We will see what blooms next! The others are not. Sleeping Bear Press ; Ages Awareness of air and water pollution was rising and we dreamed of finding our own pristine corner of the woods one day.
Are you noting my nature similes yet? Her nephew Bill Frostic continues to operate her Heidelberg printing presses as he has for more than fifty years. My initial research revealed what a pioneering woman Gwen was in her era—a strong role model for young girls. Gwen Frostic lived with physical challenges caused by an unknown childhood illness, perhaps polio, but it was never diagnosed.
Yet Gwen never believed she was handicapped. It frustrated her that others did—that they noticed mainly how she was different and made judgments about her. Gwen was no scared chipmunk hiding under the woodpile. She built a successful business around her art and consistently challenged stereotypes of disability and also of women. In the later years of her amazing life she tackled the low expectations of old age. Fairly late in her life Gwen became both rich and famous—all due to her own efforts. She wrote and illustrated 22 stunning books and sold her greeting cards via mail order around the world.
An astute business woman, Gwen donated 13 million dollars to Western Michigan University in Kalamazoo. The Cuyahoga River that flows into Lake Erie famously burned in and it regularly emptied its oily sludge into the Great Lake. But it was not the only polluted waterway in America. River fires and massive fish kills were common occurrences then.
Gwen never called herself an environmentalist, but she was one of many who raised the profile of the environmental movement so new back then. Like Rachel, Gwen believed people would protect only what they noticed and appreciated. People who valued nature pushed Congress for change. The Clean Water Act passed in and made a vast difference to water quality, and the plants and wildlife dependent upon it.
People have accomplished great things before.
As a picture book biography for ages , it is all true, but written in a lyrical read-a-loud format. In , a small child with a fierce fever often did not survive. On Christmas Eve in Croswell, Michigan the worries loomed large. But this tiny girl, Sara Gwendolen Frostic, would never do just what folks expected. This girl had toughness and spirit, and a talent to share. Live she did—for a very long time. They had a hunch about hard work, along with a little luck. And Mama possessed a talent for finding lucky four-leafed clovers by the bunch.
My manuscript caught the eye of an editor at Sleeping Bear Press when I paid for her critique through the online Kidlit College. Talk about luck! Her pictures evoke the magic of nature and skillfully show Gwen Frostic aging over her long life. Our book debuted in July , along with a billboard celebrating the book and the 20 th anniversary of Sleeping Bear Press.
Just message me through my contact page here at the website. Thank you and Happy Holidays! Illustrations by Eileen Ryan Ewen. Photographs by Lindsey McDivitt. I was fortunately born with an indomitable creative spirit. I believe we all are.
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Mine has survived every attempt to douse it. By that I mean long days, months, and years of attention to what can be the dry details of legal contract negotiations at work; house management, billing paying, and other domestic matters at home; personal losses, and far too many air miles of business travel.
But these years were also enriched by flourishing children, wonderful relationships, successes of many kinds, and warm sun on my face. While technically I can say I retired from law, I really just stopped doing it in favor of returning to a more creative life. Because I learn best in a structured environment, and I felt I had a relatively short horizon to really learn to write, I entered an MFA program.
I chose the low-residency, Vermont College of Fine Arts and it worked splendidly for me. I gave it all the attention it demanded and more. I thoroughly enjoyed being back in graduate school. Within weeks of getting my MFA I got a book deal that led to a three book, middle grade mystery series and a picture book. It takes a good long while to write the books, and they are two years from contract to publication on average.